{"id":23670,"date":"2022-12-21T08:13:00","date_gmt":"2022-12-20T23:13:00","guid":{"rendered":"https:\/\/www.nakaya.org\/en\/news\/23670\/"},"modified":"2022-12-21T08:13:00","modified_gmt":"2022-12-20T23:13:00","slug":"tsumugi-pen-launches-from-today","status":"publish","type":"post","link":"https:\/\/www.nakaya.org\/en\/news\/23670\/","title":{"rendered":"Tsumugi Pen launches from today."},"content":{"rendered":"<p><div align=\"right\">2023.01.11<\/div>\n<p>We&#8217;d like to introduce the brand new model [Tsumugi] series.<\/p>\n<p>This [Tsumugi] series is inspired by the experience in weaving at Atelier Shimura.<br \/><a href=\"https:\/\/www.nakaya.org\/en\/review.aspx?id=73&amp;type=accessory\" target=\"blank\" rel=\"noopener\">Our collaboration pen case<\/a>.<br \/><a href=\"https:\/\/www.nakaya.org\/en\/plant-dyeing.html\" target=\"blank\" rel=\"noopener\">Details about the experience at Atelier Shimura and etc.<\/a>.<\/p>\n<p>[Tsumugi] series is named with different way of other Nakaya pen.  The 4 tamenuri colors represented Nakaya.  named by colorsThe 4 tamenuri colors represented Nakaya are called by the special names in  [Tsumugi] series.<br \/>They are named in honor of traditional Japanese patterns and weaving techniques.<br \/>Kuro-tamenuri version is called as <a href='https:\/\/www.nakaya.org\/en\/review.aspx?id=100123&amp;type=body\"' target=\"blank\" rel=\"noopener\">&#8220;\u7d63\uff08Kasuri)&#8221;<\/a><br \/>Aka-tamenuri version is called as <a href=\"https:\/\/www.nakaya.org\/en\/review.aspx?id=100124&amp;type=body\" target=\"blank\" rel=\"noopener\">&#8220;\u82b1\u83f1\uff08Hanabishi)<\/a>&#8220;<br \/>Heki-tamenuri version is called as <a href=\"https:\/\/www.nakaya.org\/en\/review.aspx?id=100125&amp;type=body\" target=\"blank\" rel=\"noopener\">&#8220;\u7db2\u76ee\uff08Amime)&#8221;<\/a><br \/>Toki-tamenuri version is called as <a href=\"https:\/\/www.nakaya.org\/en\/review.aspx?id=100127&amp;type=body\" target=\"blank\" rel=\"noopener\">&#8220;\u9ebb\u306e\u8449\uff08Asanoha)&#8221;<\/a><\/p>\n<p>Cigar model(*without clip\/rolling stopper) and &#8220;Portable&#8221;\/&#8221;Piccolo&#8221; size is available for [Tsumugi] series. <br \/>You can find the list <a href=\"https:\/\/www.nakaya.org\/en\/gallery.aspx?body=Tsumugi\" target=\"blank\" rel=\"noopener\">here<\/a>.<\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.nakaya.org\/images\/news\/ctexx502.gjw.jpg\"\/>\u3000<img decoding=\"async\" src=\"https:\/\/www.nakaya.org\/images\/news\/v3a5mvsh.icu.jpg\"\/><\/div>\n<p>*\u7d2c\uff08Tsumugi)<\/p>\n<p>Tsumugi is a kind of fabric that tsumugi yarn , spun from floss silk , is used as either warp thread or weft thread , or both of them on weaving .<br \/>Tsumugi yarn , supposedly inferior to the silk yarn from hon mayu , also referred to as tama yarn (spun from tama mayu , which means round cocoons ) or irregular-shaped kuzu mayu (rubbish cocoons ) is thicker and uneven.<br \/>Compared to the fabric using silk yarn from hon mayu , which has the luster of its own , tsumugi has the dimmer luster and small bumps on the surface , which makes it have the unique feel.<br \/><a href=\"https:\/\/en.wikipedia.org\/wiki\/Tsumugi_(cloth)\" target=\"blank\" rel=\"noopener\">-Tsumugi in Wikipedia.<\/a><\/p>\n<p>One of the most famous Japanese Tsumugi, \u5927\u5cf6\u7d2c &#8220;Oshima Tsumugi&#8221;, is said to be one of the three major textiles in the world along with Iranian Persian carpet and French gobelin weaving.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2023.01.11 We&#8217;d like to introduce the brand new model [Tsumugi] series. This [Tsumugi] series is inspired by the experience in weaving at Atelier Shimura.Our collaboration pen case.Details about the experience at Atelier Shimura and etc.. [Tsumugi] series is named with different way of other Nakaya pen. The 4 tamenuri colors represented Nakaya. named by colorsThe 4 tamenuri colors represented Nakaya are called by the special names in [Tsumugi] series.They are named in honor of traditional Japanese patterns and weaving techniques.Kuro-tamenuri &hellip; <span class=\"c-button is-more\">More<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-23670","post","type-post","status-publish","format-standard","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.nakaya.org\/en\/wp-json\/wp\/v2\/posts\/23670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nakaya.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nakaya.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nakaya.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nakaya.org\/en\/wp-json\/wp\/v2\/comments?post=23670"}],"version-history":[{"count":0,"href":"https:\/\/www.nakaya.org\/en\/wp-json\/wp\/v2\/posts\/23670\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nakaya.org\/en\/wp-json\/wp\/v2\/media?parent=23670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nakaya.org\/en\/wp-json\/wp\/v2\/categories?post=23670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nakaya.org\/en\/wp-json\/wp\/v2\/tags?post=23670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}