
Writer Long Midori
This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.The color is the “Midori” inspired by the color of evergreen leaves.It was difficult to create the beautiful green because the blue-kind color development is difficult.The green color creates glossy and brilliant finish.

Writer Long Midori
This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.
The color is the “Midori” inspired by the color of evergreen leaves.
It was difficult to create the beautiful green because the blue-kind color development is difficult.
The green color creates glossy and brilliant finish.
| Weight | 26.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 02013-WL5-50 |

Writer Long Kikyo
This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.The color is the “Blue” which was made after many trials and errors.It was really difficult to create the satisfying blue because there is quite few has blue color in nature.The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.

Writer Long Kikyo
This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.
The color is the “Blue” which was made after many trials and errors.
It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.
| Weight | 26.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 02031-WL5-51 |

Writer Long AraiShu
This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.The color “Arai-shu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”.“AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth. The color can be said close to orange red.It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

Writer Long AraiShu
This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.
The color “Arai-shu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”.
“AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth. The color can be said close to orange red.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.
| Weight | 26.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 02004-WL5-32 |

Writer Long ShuNurihanashi
This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.“NuriHanashi (unpolished)” is the technique without polishing after painting.It requires very high level techniques because there are no post processes.

Writer Long ShuNurihanashi
This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.
The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“NuriHanashi (unpolished)” is the technique without polishing after painting.
It requires very high level techniques because there are no post processes.
| Weight | 26.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 02010-WL5-31 |




