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Cigar Long HORRIBLE SKELETON

Some apparition try to escape from between grip section and barrel or barrel itself so they make a crack on the barrel. The skeleton excludes us from the cracking space in the reproachful. One long arm of apparition expand from another crack. Inside of crack , there are fire flame , ghost, and lantern ghost…. But also this pen has also described “Dokkosho”. “Dokkosho” is magic bar which made evil things flee. So you can avoid every bad thing! Some of these apparition is described by a very famous Ukiyoe artist in Japan named Hokusai Katsushika (1760-1849). Maki-e technique ; Background is mainly used Koboku-shiage (ancient Indian ink powders finishing) ,Skelton and arm is Taka-makie (silver powder heaping up mathod). Apparition inside of crack. Mainly used tin round polished powders in Shu(red) color.

Cigar Long CRACKS of THE HELL

The image is one of a monster breaking free from being locked up and checking to see if it’s alright to emerge to the outside world. This pen has been finished with what is known as “Shu Koboku”. The irregularities in the surface are first made using Urushi. Another thin layer of Urushi is then added. It is finished with Fuki-Urushi after sprinkling and affixing a Shu(red) pigment.

Cigar Long WORLD of CHAOS　

The motifs are mysterious creatures that have been resurrected from the Paleozoic Era, which does not exist in this world, or have wandered in from another dimension and been mutated and synthesized.
The base color is matte black of charcoal powder. On top of that, we used silver Taka-Maki-e and heaping up expression of black Urushi lacquer in some parts. A slight smoked shade in silver Taka-Maki-e enhances the three-dimensional effect. I think that the dry and grotesque atmosphere was brought out by using monochrome coloring throughout.

Cigar Piccolo CLASICAL BAMBOO　

Cigar Piccolo GRAPES

A motif is “Grapes”. Grapes are famous for descendant prosperity because of a bunch of fruits and vines of grapes means unbroken continuing.

Cigar Portable RASPBERRY

“Iro togi-dashi maki-e”, “Taka-maki-e”, and “raden” are used to draw the motife. The base color is white urushi which seems like ivory.
Mainly silver powders are used to draw all the motif. Also silver powders are used to polish very last for this “Raspberry-silver-“. Using silver powders makes colors more vivid than usuing gold powders.

Cigar Long KARASU

Based on the crow painting from Yosa Buson’s signature work, “Kite and Crow”, it is expressed in Yako Makie.
The old tree and two crows were drawn using “Yako Maki-e” technique, and the snow is drawn by silver powder.
And branches of old tree covered with snow is drawn on the grip section using also “Yako Maki-e” technique.
Using “Yako Maki-e” technique made it possible to successfully express a calm and somber atmosphere of Ink brush painting (sumi-e).
The base color is “Aka-tamenuri”.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.

Cigar Piccolo SHAKEI-SONSETSU

The motif comes from the Shakei-Sonsetsu, a four-character idioms.
It means to study even if one is in a very difficult situation.
The four-character idioms comes from the story that Che Yin, a old Chinese politician read under the weak light of firefly in summer, and Sun Kang, a old Chinese official read with the moon light reflected by snow in winter.

Cigar Portable CRYSTAL ZARYU

Cigar Portable UNRYU-ZU　

We have created a makie of Unryu-zu, a masterpiece of Soga Shouhaku, an artist of the mid-Edo period.

Silver color was harmonized on a black base while a similar taste to sumie was created by utilizing a technique of heaping up and polishing.
We believe we were able to reproduce a touch of Shouhaku’s humor.

The original painting stored in the Museum of Fine Arts, Boston (MFA) is a masterpiece of Shouhaku, which is painted in eight panel-folding screens. We have used the four panels from the left as a motif.