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Cigar Long RYUKYU

The bright vermilion color is painted maki-e with floral motifs inspired by Ryukyu Bingata in Okinawa.

Cigar Long DRAGONS IN THE CLOUDS

It is expressed that dragons appear from clouds. The body of each dragon are described by Togi-kiri-Maki-e technique with silver powders. Clouds also are drawn with silver powders using Bokashi (gradation) technique. And for Ka-en (A fire flame), also using silver powders slightly mixed up with Shu (dark red) powders, by Togi-kiri Maki-e technique. This Togi-kiri Maki-e technique is used to create a texture similar to sumi-e (ink painting).
By using black as the base, the dragon drawn in silver stands out and make a powerful finish.

Cigar Long MOON　

This is a unique design drawing a silver moon boldly on a Kuro-roiro (black) base.
Piling up silver powders many times to create a three-dimensional effect and the uneven texture of the moon’s surface.
In addition, applying black lacquer from the surface of the moon towards the outside and polishing it to make it gradually getting lower express the dark side of the moon.

D-17 Long MINAMOTO NO TAMETOMO　

Drawing using colored urushi lacquer to the entire surface of pen. The motif is one scene inspired by the many heroic stories of Minamoto no Tametomo, known as a master archer. Arrows are drawn on the cover using silver Taka Maki-e. The dynamic activities of Minamoto no Tametomo are expressed lively with a variety of colored urushi lacquer on a white urushi lacquer base.
Minamoto no Tametomo is a military commander and historical figure who is the uncle of Minamoto no Yoritomo.

D-17 Long FUJIN & RAIJIN

Cigar Long CRACKS of THE HELL

The image is one of a monster breaking free from being locked up and checking to see if it’s alright to emerge to the outside world. This pen has been finished with what is known as “Shu Koboku”. The irregularities in the surface are first made using Urushi. Another thin layer of Urushi is then added. It is finished with Fuki-Urushi after sprinkling and affixing a Shu(red) pigment.

Cigar Long WORLD of CHAOS　

The motifs are mysterious creatures that have been resurrected from the Paleozoic Era, which does not exist in this world, or have wandered in from another dimension and been mutated and synthesized.
The base color is matte black of charcoal powder. On top of that, we used silver Taka-Maki-e and heaping up expression of black Urushi lacquer in some parts. A slight smoked shade in silver Taka-Maki-e enhances the three-dimensional effect. I think that the dry and grotesque atmosphere was brought out by using monochrome coloring throughout.

Cigar Long KARASU

Based on the crow painting from Yosa Buson’s signature work, “Kite and Crow”, it is expressed in Yako Makie.
The old tree and two crows were drawn using “Yako Maki-e” technique, and the snow is drawn by silver powder.
And branches of old tree covered with snow is drawn on the grip section using also “Yako Maki-e” technique.
Using “Yako Maki-e” technique made it possible to successfully express a calm and somber atmosphere of Ink brush painting (sumi-e).
The base color is “Aka-tamenuri”.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.

Cigar Long WATER DRAGON　

A dragon ascending in a waterfall is skillfully represented. The flow of the waterfall is depicted in eraser silver, the flow of water in tame-sukashi, and the dragon in gold.

Cigar Long KINGFISHER

The motif is a kingfisher flying over a field of reeds.
The base is painted black with a gold gradation from the center outward. By scattering flat gold powder on the top and raden on the bottom, it might look like the starry sky is reflected on the water surface. The kingfisher is vividly painted using colored urushi lacquer and gold powder. The reeds are drawn with gold and black urushi lacquer to give them some depth. The color of the kingfisher stands out against the gold and black, creating a very beautiful finish.