Cigar Piccolo ENJOYING THE MOON CAT
The design is based on the theme of cats enjoying the moon. The two cats and the footprints on the grip section are drawn with “Yako Maki-e” technique. The moon is drawn with “Tamesukashi” technique. Base color is “Aka-tamenuri”.“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Cigar Piccolo ENJOYING THE MOON CAT
The design is based on the theme of cats enjoying the moon. The two cats and the footprints on the grip section are drawn with “Yako Maki-e” technique. The moon is drawn with “Tamesukashi” technique. Base color is “Aka-tamenuri”.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
| Weight | 20.0g |
|---|---|
| Length | 130.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Lead Time | 8 months |
| Product No. | 17008-CPI-35 |
Cigar Portable FOX & HARVEST MOON
A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.A fox footprint on the grip section with Tamesukashi technique also.
Cigar Portable FOX & HARVEST MOON
A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.
A fox footprint on the grip section with Tamesukashi technique also.
| Weight | 20.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Lead Time | 8 months |
| Product No. | 16030-CP5-20 |
Cigar Long RED ASCENDING DRAGON
The motif is the populer dragon. This is an ascending dragon design based on an old Chinese painting, which symbolizes healthy growth of children and the fulfillment of great wishes. The motif is drawn using silver powder and paint lacquer that has transparency on it. This is the Tame-sukashi technique let motifs to be seen through. The base color is Aka-tamenuri which is vermilion base paint and Shuai-urushi (transparent amber color lacquer) on the base. A cloud is drawn in gold under the screw, and a jewel ball is drawn on the grip section using the Tame-sukashi technique.“Tame-sukashi” technique is a technique adding Maki-e taste to Tame-nuri. Drawing motifs with Maki-e on the base, and paint highly transparent Shuai lacquer. As time goes by, the top coat lacquer becomes more transparent, you can enjoy the changes to see through the ground color and maki-e.
Cigar Long RED ASCENDING DRAGON
The motif is the populer dragon. This is an ascending dragon design based on an old Chinese painting, which symbolizes healthy growth of children and the fulfillment of great wishes. The motif is drawn using silver powder and paint lacquer that has transparency on it. This is the Tame-sukashi technique let motifs to be seen through. The base color is Aka-tamenuri which is vermilion base paint and Shuai-urushi (transparent amber color lacquer) on the base. A cloud is drawn in gold under the screw, and a jewel ball is drawn on the grip section using the Tame-sukashi technique.
“Tame-sukashi” technique is a technique adding Maki-e taste to Tame-nuri. Drawing motifs with Maki-e on the base, and paint highly transparent Shuai lacquer. As time goes by, the top coat lacquer becomes more transparent, you can enjoy the changes to see through the ground color and maki-e.
| Weight | 24.0g |
|---|---|
| Length | 170.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Lead Time | 8 months |
| Product No. | 16002-CL5-35 |
Writer Long Izumi no Kami Kanesada
The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.Using various techniques, we have created a piece that resembles the real sword mountings of the sword.
Writer Long Izumi no Kami Kanesada
The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.
The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.
The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.
For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.
Using various techniques, we have created a piece that resembles the real sword mountings of the sword.
| Weight | 26.0g |
|---|---|
| Length | 170.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 18018-WL5-13 |
Cigar Portable WIND&THUNDER GODS
The Fujin and the Raijin have been made a stunning reality by using “Tame-sukashi” techniques.We achieved brilliant enhancement with “Tame-sukashi” effects, added a sprinkling of gold powder on the surface of “Shuai-urushi”, and coated with ”Tame-sukashi” again using “Shuai-urushi”.
Cigar Portable WIND&THUNDER GODS
The Fujin and the Raijin have been made a stunning reality by using “Tame-sukashi” techniques.
We achieved brilliant enhancement with “Tame-sukashi” effects, added a sprinkling of gold powder on the surface of “Shuai-urushi”, and coated with ”Tame-sukashi” again using “Shuai-urushi”.
| Weight | 20.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16035-CP5-35 |
Cigar Long HORRIBLE SKELETON
Some apparition try to escape from between grip section and barrel or barrel itself so they make a crack on the barrel. The skeleton excludes us from the cracking space in the reproachful. One long arm of apparition expand from another crack. Inside of crack , there are fire flame , ghost, and lantern ghost…. But also this pen has also described “Dokkosho”. “Dokkosho” is magic bar which made evil things flee. So you can avoid every bad thing! Some of these apparition is described by a very famous Ukiyoe artist in Japan named Hokusai Katsushika (1760-1849). Maki-e technique ; Background is mainly used Koboku-shiage (ancient Indian ink powders finishing) ,Skelton and arm is Taka-makie (silver powder heaping up mathod). Apparition inside of crack. Mainly used tin round polished powders in Shu(red) color.
Cigar Long HORRIBLE SKELETON
Some apparition try to escape from between grip section and barrel or barrel itself so they make a crack on the barrel. The skeleton excludes us from the cracking space in the reproachful. One long arm of apparition expand from another crack. Inside of crack , there are fire flame , ghost, and lantern ghost…. But also this pen has also described “Dokkosho”. “Dokkosho” is magic bar which made evil things flee. So you can avoid every bad thing! Some of these apparition is described by a very famous Ukiyoe artist in Japan named Hokusai Katsushika (1760-1849). Maki-e technique ; Background is mainly used Koboku-shiage (ancient Indian ink powders finishing) ,Skelton and arm is Taka-makie (silver powder heaping up mathod). Apparition inside of crack. Mainly used tin round polished powders in Shu(red) color.
| Weight | 24.0g |
|---|---|
| Length | 170.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 13003-CL5-13 |
Cigar Long WORLD of CHAOS
The motifs are mysterious creatures that have been resurrected from the Paleozoic Era, which does not exist in this world, or have wandered in from another dimension and been mutated and synthesized.The base color is matte black of charcoal powder. On top of that, we used silver Taka-Maki-e and heaping up expression of black Urushi lacquer in some parts. A slight smoked shade in silver Taka-Maki-e enhances the three-dimensional effect. I think that the dry and grotesque atmosphere was brought out by using monochrome coloring throughout.
Cigar Long WORLD of CHAOS
The motifs are mysterious creatures that have been resurrected from the Paleozoic Era, which does not exist in this world, or have wandered in from another dimension and been mutated and synthesized.
The base color is matte black of charcoal powder. On top of that, we used silver Taka-Maki-e and heaping up expression of black Urushi lacquer in some parts. A slight smoked shade in silver Taka-Maki-e enhances the three-dimensional effect. I think that the dry and grotesque atmosphere was brought out by using monochrome coloring throughout.
| Weight | 24.0g |
|---|---|
| Length | 170.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 118101-CL5-13 |
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
| Weight | 26.0g |
|---|---|
| Length | 170.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16006-WL5-35 |
Cigar Piccolo ELEPHANTS
It is said that the elephants are symbols for good fortunes. We use such a good-luck symbols for the motif. 2 elephants are draw with tamesukashi technique. The color is Aka-tamenuri.
Cigar Piccolo ELEPHANTS
It is said that the elephants are symbols for good fortunes. We use such a good-luck symbols for the motif.
2 elephants are draw with tamesukashi technique. The color is Aka-tamenuri.
| Weight | 20.0g |
|---|---|
| Length | 130.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16041-CPI-35 |
Cigar Piccolo FEATHER
The motif of soft feather is drawn in Aka-tame sukashi.
Cigar Piccolo FEATHER
The motif of soft feather is drawn in Aka-tame sukashi.
| Weight | 20.0g |
|---|---|
| Length | 130.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16021-CPI-35 |
