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Cigar Piccolo HONKATAJI Heki-tame

Since the it is covered with cloth, the diameter will be about 1mm bigger than the original one.
To express “antique” or “old” looks, creat some cracks in the lacquer to reveal the cloth underneath, we create a texture that looks like it has been used for many years.
Because it is handmade, the shape and size of the cracks design will not be the same. Basically, there is one crack across the cap and body, two long and short cracks on the body, and one or two cracks on the grip section. 
≪Please note that, due to the use of colored lacquer made from natural materials, slight variations in the final color may occur.≫

Cigar Piccolo HONKATAJI-BLACK　

This is inspired by “Negoro-nuri”. It is a “Honkataji” finish that applies lacquer in layers after the process of “Nunokise” which is putting a cloth underneath. Since the it is covered with cloth, the diameter will be about 1mm bigger than the original one.
To express “antique” or “old” looks, creat some cracks in the lacquer to reveal the cloth underneath, we create a texture that looks like it has been used for many years.
Because it is handmade, the shape and size of the cracks design will not be the same. Basically, there is one crack across the cap and body, two long and short cracks on the body, and one or two cracks on the grip section.
It is painted the base with vermilion lacquer and on the top with black lacquer so that the red fabric could be seen from the cracks. It is not fully polished finish, but has a slightly less glossy finish to give it a used feel.

Cigar Piccolo JIDAI NURI

Cigar Piccolo HONKATAJI Araishu

This is inspired by “Negoro-nuri”. It is a “Honkataji” finish that applies lacquer in layers after the process of “Nunokise” which is putting a cloth underneath. Since the it is covered with cloth, the diameter will be about 1mm bigger than the original one.
To express “antique” or “old” looks, creat some cracks in the lacquer to reveal the cloth underneath, we create a texture that looks like it has been used for many years.
Because it is handmade, the shape and size of the cracks design will not be the same. Basically, there is one crack across the cap and body, two long and short cracks on the body, and one or two cracks on the grip section. Base color is “Arai shu”.

“Negoro-nuri” is one of Japanese lacquer painting technique that applies vermilion lacquer on to the black lacquer applied to the base. The black lacquer underneath sometimes comes up from the vermilion lacquer coatings and looks like patterns.
“Honkataji” is a sturdy piece of work that is coated with a base layer of cloth or lacquer and then applied lacquer.

D-17 Long SUZU-NUNOME

Suzu nunome, a large part of the base is dressed with hemp cloth and fixed with urushi lacquer, then the base lacquer is applied to the nunome and black lacquer is applied. Tin powder is sprinkled and fixed with lacquer, and the texture of the cloth is polished and glazed so that the texture of the cloth appears on the axis.
The finish is scratch-resistant while maintaining a beautiful luster.
The cover part is made of “Suzu Ishime”.
The thickness of the cover is about 1mm thicker than the original thickness because it is covered with a cloth.

GOAT SHRINK LEATHER

The fountain pen wrapped with goat shrink leather.
It is designed with a low center of gravity and metals are used to its cover and screws.
*Custimization is available to change the color of clip, pen nib, and metal parts.

The goat shirink leather is called “chari leather” in Japan, named after Mr. Charles Henninger who was an American tanner who promoted Western-style leather in Japan around the begining of Meiji era.
Crumple goat leather tanned with a plants astringency vertically, horizontally, and diagonally many times, to make deep unevenness on the surface. Because most of the processes needs expertise skill, only skilled craftsmen can manufacture it.
“Chari leather” is very rare and beautiful leather unique to Japan, it was used as a material for bags.

Writer Piccolo TITANIUM

Writer Piccolo model is made with titanium. It is a single thread screw.
It has the inorganic texture and weight that comes from the property of metal.

Miyabigi Series KAGOAMIME

Based on the “Rattan Basket” fountain pen of Platinum Fountain Pens CO.,LTD. (produced around year 1924), it is designed in rectilinear form that was mainstream at the time covering with a bamboo basket knitted hexagonally using thinly shaved bamboo. The size is almost the same as Piccolo size.
The end of the cap and barrel, the grip section, and the basket are painted with black lacquer. The parts under the baske are finished with washed vermilion (Arai-shu) lacquer.

*”Hexagonal knitting” is the most popular bamboo knitting which the mesh looks like hexagon.