Writer Decapod TW Kuro-tame
This model is designed as highlighting the beautiful lines of the polyhedron.This TW version is added twists to the lines.Since it is a 4 thread screw, there are 4 entrances for the screw.So the lines only meet in one certain point.※It is NO PROBLEM with the function, even if the lines do not meet.The combination of shuai urushi lacquer that is mixed with a black color and shu(vermilion) base color created a finish that exudes an atmosphere of elegance.Very high level urushi techniques made it possible to make the corners stand out in streaks. By adding a twist to the lines, the finish is a slightly softer and more gorgeous atmosphere than the Decapod ST model.
Writer Decapod TW Kuro-tame
This model is designed as highlighting the beautiful lines of the polyhedron.
This TW version is added twists to the lines.
Since it is a 4 thread screw, there are 4 entrances for the screw.
So the lines only meet in one certain point.
※It is NO PROBLEM with the function, even if the lines do not meet.
The combination of shuai urushi lacquer that is mixed with a black color and shu(vermilion) base color created a finish that exudes an atmosphere of elegance.
Very high level urushi techniques made it possible to make the corners stand out in streaks. By adding a twist to the lines, the finish is a slightly softer and more gorgeous atmosphere than the Decapod ST model.
| Weight | 26.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 16.0mm |
| Material | Ebonite |
| Lead Time | 7 months |
| Product No. | 02041-WTW-11 |
Writer Decapod TW Aka-tame
This model is designed as highlighting the beautiful lines of the polyhedron. This TW version is added twists to the lines.Since it is a 4 thread screw, there are 4 entrances for the screw.So the lines only meet in one certain point.※It is NO PROBLEM with the function, even if the lines do not meet.The combination of shuai urushi lacquer and shu(vermilion) base color created a finish that is very deep and beautiful red.Very high level urushi techniques made it possible to make the corners stand out in streaks. By adding a twist to the lines, the finish is a slightly softer and more gorgeous atmosphere than the Decapod ST model.
Writer Decapod TW Aka-tame
This model is designed as highlighting the beautiful lines of the polyhedron. This TW version is added twists to the lines.
Since it is a 4 thread screw, there are 4 entrances for the screw.
So the lines only meet in one certain point.
※It is NO PROBLEM with the function, even if the lines do not meet.
The combination of shuai urushi lacquer and shu(vermilion) base color created a finish that is very deep and beautiful red.
Very high level urushi techniques made it possible to make the corners stand out in streaks. By adding a twist to the lines, the finish is a slightly softer and more gorgeous atmosphere than the Decapod ST model.
| Weight | 26.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 16.0mm |
| Material | Ebonite |
| Lead Time | 7 months |
| Product No. | 02042-WTW-35 |
Writer Decapod TW Heki-tame
This model is designed as highlighting the beautiful lines of the polyhedron.This TW version is added twists to the lines.Since it is a 4 thread screw, there are 4 entrances for the screw.So the lines only meet in one certain point.※It is NO PROBLEM with the function, even if the lines do not meet.Heki-iro is a middle color between blue and green.The combination of shuai urushi lacquer and heki-iro base color create mysterious and beautiful greenish amber finish.Very high level urushi techniques made it possible to make the corners stand out in streaks. By adding a twist to the lines, the finish is a slightly softer and more gorgeous atmosphere than the Decapod ST model.
Writer Decapod TW Heki-tame
This model is designed as highlighting the beautiful lines of the polyhedron.
This TW version is added twists to the lines.
Since it is a 4 thread screw, there are 4 entrances for the screw.
So the lines only meet in one certain point.
※It is NO PROBLEM with the function, even if the lines do not meet.
Heki-iro is a middle color between blue and green.
The combination of shuai urushi lacquer and heki-iro base color create mysterious and beautiful greenish amber finish.
Very high level urushi techniques made it possible to make the corners stand out in streaks. By adding a twist to the lines, the finish is a slightly softer and more gorgeous atmosphere than the Decapod ST model.
| Weight | 26.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 16.0mm |
| Material | Ebonite |
| Lead Time | 7 months |
| Product No. | 02040-WTW-20 |
Writer Decapod TW Toki-tame
This model is designed as highlighting the beautiful lines of the polyhedron.This TW version is added twists to the lines.Since it is a 4 thread screw, there are 4 entrances for the screw.So the lines only meet in one certain point.※It is NO PROBLEM with the function, even if the lines do not meet.The combination of the pinkish base color inspired by the Japanese traditional color “toki-iro” and the upper lacquer, shuai urushi create very soft an bright finish.“Tamenuri” has the characteristics of translucent amber color like being sucked in, so you can clearly see how the lacquer has accumulated.The combination of shuai urushi lacquer and heki-iro base color create mysterious and beautiful greenish amber finish.Very high level painting and polishing techniques made it possible to make the corners stand out in streaks. By adding a twist to the lines, the finish is a slightly softer and more gorgeous atmosphere than the Decapod ST model.
Writer Decapod TW Toki-tame
This model is designed as highlighting the beautiful lines of the polyhedron.
This TW version is added twists to the lines.
Since it is a 4 thread screw, there are 4 entrances for the screw.
So the lines only meet in one certain point.
※It is NO PROBLEM with the function, even if the lines do not meet.
The combination of the pinkish base color inspired by the Japanese traditional color “toki-iro” and the upper lacquer, shuai urushi create very soft an bright finish.
“Tamenuri” has the characteristics of translucent amber color like being sucked in, so you can clearly see how the lacquer has accumulated.
The combination of shuai urushi lacquer and heki-iro base color create mysterious and beautiful greenish amber finish.
Very high level painting and polishing techniques made it possible to make the corners stand out in streaks. By adding a twist to the lines, the finish is a slightly softer and more gorgeous atmosphere than the Decapod ST model.
| Weight | 26.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 16.0mm |
| Material | Ebonite |
| Lead Time | 7 months |
| Product No. | 02047-WTW-21 |
Writer Long Izumi no Kami Kanesada
The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.Using various techniques, we have created a piece that resembles the real sword mountings of the sword.
Writer Long Izumi no Kami Kanesada
The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.
The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.
The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.
For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.
Using various techniques, we have created a piece that resembles the real sword mountings of the sword.
| Weight | 26.0g |
|---|---|
| Length | 170.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 18018-WL5-13 |
Writer Portable WILD STRAWBERRY
Based on Yakou Maki-e technique, we lay out several seashells (Raden).Though we used many pieces of big shells in abundance and looks gorgeous, this artwork settled down the background kept the entire settled balance by Tame-nuri background.
Writer Portable WILD STRAWBERRY
Based on Yakou Maki-e technique, we lay out several seashells (Raden).
Though we used many pieces of big shells in abundance and looks gorgeous, this artwork settled down the background kept the entire settled balance by Tame-nuri background.
| Weight | 22.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 17002-WP5-35 |
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
| Weight | 26.0g |
|---|---|
| Length | 170.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16006-WL5-35 |
Writer Portable BAMBOO SERENITY
Bamboo woods motif is expressed with the Aka-tamesukashi technique. To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.Some bamboos are drawn on the grip section with Tame-sukashi technique.
Writer Portable BAMBOO SERENITY
Bamboo woods motif is expressed with the Aka-tamesukashi technique. To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.
Some bamboos are drawn on the grip section with Tame-sukashi technique.
| Weight | 22.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16007-WP5-35 |
Writer Portable AUTUMN COLORS
A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.
Writer Portable AUTUMN COLORS
A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.
For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.
| Weight | 22.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16037-WP5-35 |
Writer Long DARK NIGHT OWL
This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.
Writer Long DARK NIGHT OWL
This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.
| Weight | 24.0g |
|---|---|
| Length | 170.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16008-WL5-35 |
