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Cigar Long BlackHairline

This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.
Due to the traditional black color lacquer is used for the base color and draw a very thin line to the base each by each very carefully, the hairline like pattern is created.
And the unpolished finish makes vintage and quaint like Sumiko finish.

Cigar Long Midori

This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.
The color is the “Midori” inspired by the color of evergreen leaves.
It was difficult to create the beautiful green because the blue-kind color development is difficult.
The green color creates glossy and brilliant finish.

Cigar Long Kikyo

This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.
The color is the “Blue” which was made after many trials and errors.
It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.

Cigar Long AraiShu

This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.
The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”.
“AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth.
The color can be said close to orange red.
The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

Cigar Portable ShuNurihanashi

This is the perfect length for letters and writing, and you won’t get tired even when writing for long periods of time.
The most traditional color of urush, “Shu(vermilion)” is used and made it matte finish.
“Nuri-hanashi (unpolished)” is the technique without polishing after painting.
It requires very high level techniques because there are no post processes.

Cigar Long Kuro-tame Ishime　

“Kuro-tame Ishime” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder.
The finish becomes rough and powerful like a lava, the same as “Ishime kanshitsu, Aka-tamenuri”. “Ishime kanshitsu, Kuro-tamenuri” has a darker color because it uses the shuai urushi lacquer mixed with black lacquer for the finish.

“Ishime” is created with the special technique that makes stone like texture on the surface. When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Long Aka-tame Ishime　

”Aka-tame Ishime” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder, and finishs with a shu-ai lacquer.
It is similar to “Ishime kanshitsu, Kuro-tamenuri” finish but it has more reddish color. So it seems like a hot lava.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Long Heki-tame Ishime

“Heki-tame Ishime” uses the special blue color lacquer for a base and the same special color dry lacquer powder, and finishs with a shu-ai lacquer.
The combination of the gentle yellow-green like a young grass and the brown of shuai lacquer creates a color that resembles green jasper.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Long Kuro Ishime

”Kuro Ishime” uses black lacquer for a base color and black dry lacquer powder.
It has a beautiful jet black finish that looks like an obsidian.

“Ishime” is created with the special technique that makes stone like texture on the surface. When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”. It will be the “cobblestone-like” finish in the garden.

Cigar Long Kikyo Ishime　

“Kikyo Ishime” uses the blue, we called “Kikyo” lacquer for a base color and a blue dry lacquer powder.
The brilliant finish resembles lapis lazuli which has a deep blue color that seems to draw you in.

“Ishime” is created with the special technique that makes stone like texture on the surface. When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places. Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”. It will be the “cobblestone-like” finish in the garden.